I’m not feeling well today and i’m stuck at home in bed so I thought I’d make another entry in my ’series’ of favorites. Today’s entry is the third actor in my trio of number ones - James Cagney.

Two posts ago I told how I first became interested in James Cagney via Michael J. Fox. As I wrote then, my first encounter with James Cagney was not through a gangster film filled with sneers, smacks on the chin or the ventilation of snitch-filled car trunks. Mine was of a short, well-mannered man in a tux dancing around an overly-done art-deco night club. Something to Sing About is not one of Cagney’s best films, but I’ve always liked it very much.

After I saw that movie back in high school, I didn’t really go out looking for Cagney films. I did, however, watch them when I happened upon them. The second Cagney film I saw was (a badly colorized version of) Yankee Doodle Dandy while I was in college. This one wasn’t hard to come by - it plays on many stations every Independence Day. I liked this one even more than Something to Sing About and I was a little miffed at my roommate at the time who made fun of his stiff-legged dancing. His style wasn’t as graceful as Astaire, but that didn’t make it bad and I liked it quite a bit.

It wasn’t until a few years later, when I did start seeking out Cagney films, that I finally saw the type of movie Cagney is most famous for and, to be honest, I don’t remember which one it was. Maybe The Roaring Twenties but I know it wasn’t Public Enemy. The first time I saw Public Enemy I was a little shocked at how brutal it was (this was before I knew about ‘pre-code’ films and how they differed from the ‘post-code’ films I was used to seeing) and just how damned scary Cagney could be. Before these gangster films, the worst I had seen Cagney’s characters behave was due to an overabundance of self-confidence.

I love Cagney’s gangster films - or, at least, I love him in these films - but I personally prefer the non-gangster roles. The musicals, the comedies, the straight dramas. When I hear people talk of Cagney today, it’s always in reference to his tough guy roles.

“Does anyone know what a Jimmy Cagney love scene is? It’s when Cagney lets the good guy live.” - Shoot ‘em Up, 2007

His comedic, (non bad-guy) dramatic and musical talents are rarely mentioned in pop culture. I know what a James Cagney love scene is and so did Ann Sheridan, Bette Davis, Rita Hayworth, Olivia DeHaviland and countless other leading ladies.

(As an aside, I actually really like the movie that quote up there is from. It’s spoken by a really, really bad man so I can’t expect him to know any better.)

To get a really well-rounded look-see at what Cagney was really all about, I would recommend the following:

• Public Enemy (as Tom Powers) - Cagney’s break-out role. He was originally cast as the ‘good’ best friend but it was soon clear that he was better suited to the intense role of Tom Powers.
• The St. Louis Kid (as Eddie Kennedy) - A schizophrenic film that starts off as a romantic comedy but turns into a heavy pro-labor union drama.
• The Irish in Us (as Danny O’Hara) - Sharing the screen with two of his best friends, Pat O’Brien and Frank McHugh, Cagney plays the irresponsible brother to Pat O’Brien’s good brother - a pattern that repeated in almost all the movies they shared (one really good exception - Torrid Zone)
• Angels With Dirty Faces (as Rocky Sullivan) - One of Cagney’s most famous roles, which is very much deserved. He is again playing a gangster but this time he is endangering children by encouraging them to follow in his footsteps. He best friend, the priest (Pat O’Brien once again) who looks over these youths, asks him to make a huge sacrifice that goes against Rocky’s very being.
• The Oklahoma Kid (as Jim Kincaid, The Oklahoma Kid) - Yep, this is a western. Cagney made a few more westerns, but not until he was much older. Cagney’s image was very urbane, but his first choice of career was to be a farmer so this role actually felt natural to him and he was disappointed that the public didn’t agree. The bad guy in this movie (complete with an all-black outfit, including his hat) was equally urbane Humphrey Bogart. Not a bad movie and a hoot to watch just for the stark differences in role types for both of these icons.
• The Strawberry Blonde (as T.L. ‘Biff’ Grimes) - A romantic comedy, one of the few Cagney made, this is one of my favorite Cagney films period. The plot isn’t all that original (boy loves the wrong girl - the right girl loves him - the boy finally realizes the wrong girl is an utter bitch and falls for the right girl after having been married to the right girl for years) but the period setting and wonderful performances help it rise above all of this. Rita Hayworth is utterly gorgeous (of course) and can even make the beautiful Olivia DeHaviland look plan in comparison, but we all know which one is worth Cagney’s time, right?
• Yankee Doodle Dandy (as George M. Cohan) - Everyone knows this one, but in case you don’t this is the biographical film of one of the stage performer/composer/director greats. Fred Astaire was Cohan’s first choice, but Cagney was the bettert choice for the role. Fred was a good actor, but Cagney was much better at playing the brash, egotistical, in-your-face - but still likeable - jerk.
• White Heat (as Cody Jarrett) - Yes, another gangster role but this time he’s a ruthless, insane Mama’s boy - a dangerous combination if there ever was one. This was Cagney’s return to a genre he wasn’t thrilled to go back to, but at least he came back with a bang…literally.
• Love Me or Leave Me (as Martin Snyder) - Another bio-pic about a stage man, but this time he’s an ‘agent’ and not the performer. This movie is more about Ruth Etting, played wonderfully by Doris Day, than it is about Snyder, but Cagney’s performance as the brutal and insanely jealous manager is as scary of his role as Tom Powers in Public Enemy. Only, this time, he charms his prey to trap them instead of gunning them down.

There are many others that are just as good, but the above roles are different enough from the others and do a good job at showing just what Cagney was capable of. Not all of these films are available on DVD but you might be able to catch them on Turner Classic Movies if you keep an eye out. Hopefully they will all be available soon.

The pictures below are random shots of the film. Click the images to see them larger.

I saw the trailer for this film sometime last summer and have wanted to see it ever since. We rented it Thursday night and watched it last night.

Kind of odd, really. I normally hate covers of Beatles songs. I never saw the point of remaking a Beatles song. The one exception that I can think of is Joe Cocker’s With a Little Help from my Friends. It’s just a great arrangement.

Eddie Izzard Sings ‘For the Benefit of Mr. Kite’

But this movie had me intrigued. An entire movie musical made up on nothing but Beatles songs set during the turbulent 1960’s. It sounded like a perfect match and, for the most part, it is.

NYC dances around JoJo as he arrives in NYC to ‘Come Together’

The plot of this movie isn’t highly original. Boy meets girl - boy loses girl to the anti-war movement - boy gets girl back. (Sorry if you think that’s a spoiler, but if you watch the movie you’ll realize it couldn’t end any other way.)

Fortunately, the characters are fleshed out enough and the performances so good that the viewer cares about them despite their familiarity - or perhaps because of it.

Uncle Sam ‘wants’ Max

The blending of the songs and the inventive visuals along with some superb acting and sometimes amazing singing make this a great film experience. If going to theaters weren’t such a pain nowadays, I would have loved to see this on the big screen. However, I know that it would have been ruined by narcissistic humans who can’t stand not being the center of attention for more than 30 minutes at a time.

(I tend to bitch about that a lot - sorry.)

She’s So Heavy

The main character, Jude (Jim Sturgess) is from Liverpool (natch) and even looks quite a bit like a young Paul McCartney. He goes to America in search of his birth father. He achieves this goal but more importantly he finds his best friend in Max (Joe Anderson) and the love of his life in Lucy (Evan Rachel Wood), Max’s sister.

Max, Jude and Lucy sing to ‘Dear Prudence’

After moving to New York city, their tight-nit group is filled out with Sadie (Dana Fuchs - whose voice is frakkin’ amazing), Jojo (Martin Luther McCoy) and Prudence (T.V. Carpio).

Along with the music and the obvious names, there are many other nods to the Beatles: Max is once seen fixing a fan with a silver hammer; Prudence meets the gang when she comes through the bathroom window; Jude draws a still life after slicing a green apple in half…you get the idea.

The best name ever for a restaurant

There are several nice cameos that really work in the film - Joe Cocker plays three different characters and sings Come Together (probably the best musical number in the film). Bono plays Mr. Robert and sings I Am the Walrus and Salma Hayek plays the Bang, Bang, Shoot, Shoot nurse in Happiness is a Warm Gun.

My husband’s favorite part of the movie

The film was written and directed by Julie Taymor (Frida) and she did a terrific job. The movie is visually beautiful - even in the non-fantastic scenes - and from what I saw in some of the behind-the-scene footage included on the bonus disc, she really knows how to get the best from her performers.

So, if you like the Beatles, musicals or are interested in America during the 1960’s I suspect you would really like this movie.

JoJo, Sadie and Jude sing ‘All You Need is Love’ while Max looks on